Another interpretation of the same scene, this time done on Seawhite of Brighton paper rather than watercolour paper. As the paper is really white, there's a better sense of light in the clouds. Also, I used Holbein Blue Compose, which is a mix of PB15 and PW6. The white in it gives a gouache effect when mixing, which reminded me of my gouache clouds in Wild Watercolour with Dolores Phelps. I will follow that thread. Amongst other threads! Lots of Neocolor added for the hills. And also, I had loosely drawn the clouds with a light-blue pencil, which helped me with the general shapes.
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