But I'm also making some progress on my current project - a lovely pink poppy. I've been working on the background for the last couple of weeks now. And I did ditch some of the colour theory principles in the process, in favour Elizabeth Kincaid's advice instead. I was going to use my ultramarine to create some dark greens, but I found that the one I have is not transparent enough for glazing. It leaves big deposits of paint in the hollows of the paper, and doesn't give the dark effect I was hoping for. I ended up with patchy mud. So I used good old reliable vanadium yellow and phthalo blue and some dioxazine violet. Phthalo blue gives really rich darks when you apply a thick wash - exactly what I wanted.
I've now taken the masking paper and fluid off, and will be starting on the veins in the poppy. I'll need to do a few dry runs first, so don't expect results too soon!
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