Sunday, September 24, 2017

Royal Hospital, Kilmainham

Do I like a challenge? I would normally say yes, but I'm not so sure now, after tackling this corner of the Royal Hospital, Kilmainham (home to IMMA). Last time I was there with Dublin Sketchers, I sketched a humble little shed - that was all I felt capable of. And I was really happy with how it worked out. That was in January of this year. It feels like a lifetime ago. It's been a busy year.

So, despite some serious proportional errors (ratio of chimney height to stained-glass window height, size of windows, to name just two), I am very proud of this sketch. I actually measured and did a basic pencil sketch to figure out the positioning of the various elements. And I really tried to understand the building, to put into practise all I have learned over the last few weeks and over the last year.


It was a beautiful afternoon, warm in the sun, cool in the shade. We're having a nice autumn so far - yes, we would have liked warmer temperatures, after a non-descript summer, but you don't always get what you wish for. At least we don't have hurricanes or monsoon rains in Ireland. And I found the perfect spot, a little out of the way (only one small group of Americans commented on my work, and that was only in the first half hour), with a good view of my subject. But I struggled with a few things: My favourite fountain pen ran out of ink (my own fault - I had another pen, though, but with a thicker nib). First page nerves too - it's never easy to start a new sketchbook, even if it's identical to my previous one (I'm sticking to watercolour-paper Moleskine - by the way, does anyone know what's the right pronunciation for Moleskine?). The main trouble I had was that my lower back started causing me major pain - it had been sore for a few days, but I thought I was better - hunching over my sketch for an hour and a half was not a good idea. So I added the colour indoor and finished the windows at home. And I applied one of those heat belts - it really helped. Now, 4 days later, I still struggle with my back - I've done yoga for lower back pain and yoga for sciatica (a great YouTube class), I've walked, I've applied heat, I've minded myself. And when I think I'm better, it hits me again, like this morning, when I was tying my shoe laces before heading out for our dog walk. So here I am, writing this with a hottie against my lower back, and another one under my left foot. But I'm refusing to let it stop me! I'll be out sketching again soon.

Saturday, September 23, 2017

Buildings - Lesson 2 - indoor assignments

I won't bore you with the details, but lesson 2 is about adding elements that stick out (buttresses, window sills, etc.), subtracting elements that stick in (windows and doors mostly), using the leading edge of the roof so that it doesn't sit on top of the house like a cardboard box, and realising that cornices, gutters, fascia and all those things are generally thicker than you'd think!
I'm still at the stage where I get the shape of a roof completely wrong, so maybe I'm moving a bit too fast. But it's so much fun.
For this assignment, we went to Tasmania, where they have a lot of sash windows, which will be useful here in Ireland. And lots of dormer windows, which I hope never to have to face ever again!



We had to pick one of the houses and draw it again, focusing on the areas we struggled with in the first drawing. This time I didn't rush so much. I worked hard at the dormer windows, but they're still not structurally sound. And I discovered that the right-hand side of the house is on a slope. Would you believe me if I told you it never occurred to me that a house build on a slope still has to have a horizontal base? Just as well I'm not an architect!

And I couldn't help adding watercolour to one of them!


Taney Church - with watercolour

Shouldn't have done that, but I couldn't help myself. At least I didn't destroy the original. I scanned it and printed it on watercolour paper. Then I added colour. Some aspects work, some don't.
What would be really interesting as a process for me in future is to paint the overall shapes first, then draw the lines. Another day's work.

Friday, September 22, 2017

Taney Church - Constructing Volumes


Surprisingly, Bruce was still Down Under when I sketched this one! Maybe he was so fed up with me looking at the same building over and over, and painting it and drawing it, that he decided to go on a little holiday?
I certainly felt that the work I put in the previous exercises paid off dividends here. I knew how each part connected to the next. The tower is still way way too short, but I love how the volumes stand clearly in front of each other.
And buttresses is my new favourite thing!

Thursday, September 21, 2017

Taney Church - negative and positive shapes

Great fun it was! Despite the tower, that's consistently too short. But at least I'm consistent!
So much fun!
I even had children dropping by to have a look at what I was doing, including a little boy who was fascinated by my little box of watercolours. I wonder do children these days play with paints? Or do they spend all their time on the Playstation. Or at rugby practise? (I do live in South Dublin!). Is painting too messy? Are the parents concerned about toxic chemicals? That little boy looked like he'd never seen anyone paint before. Maybe I inspired him? Maybe his parents are cursing me right now.
And Bruce was nowhere to be seen or heard. The way I like it!







Wednesday, September 20, 2017

Taney Church - exploratory sketch

Into the big bad world. Outdoor assignment time!
I dropped over to Taney Church to recce the area, and also to make sure it was ok to sketch there.
I'd only brought my small sketchbook, and no chair to sit on, so I did this one standing up. It's not really a proper continuous line sketch, but it was a good way to look really closely at some of the aspects of the building that I found interesting. And also to realise that any building with a tower would pause serious challenges!
I discovered at a later stage that the edge on the right, with stones going in and out is called a buttress! Well, if I'm going to sketch churches, I'd better be prepared to tackle those! 


Tuesday, September 19, 2017

Buildings - Lesson 1 - Part 2, Manly Church

No, I didn't go to Australia. We were there nearly ten years ago. And it was brilliant. But I didn't sketch then. I certainly wouldn't have had the confidence to tackle a complex building like a church, that's for sure.

This one was an indoor assignment, working from a photograph. Exploring various ways to really look at a building, with continuous line drawing, negative shape painting (painting the sky), positive shape painting (paint the overall shape first, then add darker colours for roofs, windows, doors and cast shadows), and finally constructing volumes (trying to figure out how the building is constructed - a box in front  of a box, a pyramid on top of box, etc).

I think it's clear which method I enjoyed the most - once I took out my watercolours and a brush, I was in the zone, concentrating and enjoying playing with paints.

I struggled with the concept of constructing volumes, and the fact that it was the 4th drawing, I was expecting a lot out of myself - that somehow having done the other exercises, I would suddenly understand and "see" the building and that my pen would follow my eyes. The fact that this is initially a pencil sketch made it more difficult for me too. My inner critic (or my Left brain, whatever you want to call it, one of the other students calls hers "Debbie" I think. Mmmm, maybe I should name mine, it might be easier to control it) was ready to pounce, with all these things I "can't" do, can't draw a straight line, can't draw a roof, can't draw an arch!

When I'm painting, Bruce, I think I'm going to call it Bruce, was thinking - There she goes again, painting like a child, I don't need to keep an eye on her. Because playing with paints isn't serious business. Whereas when she starts measuring, that's important, that means that the building has to be structurally sound, or there'll be casualties. And we can't have wobbly lines or wrong angles, or casualties for that matter. That would be a bad, bad, situation!

Poor Bruce, I think I've finally discovered how to shut him up - an attack of buff titanium and moonglow! That will shut him up!




Buildings - Lesson 1 homework, lines and boxes


I think that the first lesson of an online course is often about discovering, or acknowledging, how little you know, how much you have to learn! I draw confident lines, but they are rarely straight. And often they are going in the wrong direction.
I enjoy shapes, but I get distracted easily.
And volumes is a concept that still eludes me!
Let's move on.






Saturday, September 16, 2017

Intro 3 - Working in a Structured Way

This intro lesson was the hardest for me - I tend to jump right in without planning. With disastrous results sometimes. Working in a structured way means starting with the larger shapes, checking angles and relationships before moving to details and colour. By relationships, I mean looking to see if the window is in the middle of the wall, checking that all the windows are at the same level, figuring out how many columns there are, how many panes in the windows - basically trying to fit everything into the framework. 
For this approach, it's best to start with pencil, and only when you have the broad outline making sense, then you can move to pen to add some detail, and finally going to watercolour for the fun bit!
And I thought this little building looked easy! Since I don't take photos of buildings much, I had to go back to our trip to Australia-New Zealand (nearly 10 years ago!) to find some interesting places! Rakaia, if I remember right, was on our way from Kaikoura (where we went whale watching) to Oamaru (famous for its penguins!). Looking at Google Maps, it looks like there is a big bridge crossing a wide river bed. I remember that too. Although I think it's not the only town with that feature. Maybe we got petrol there? Or we just stopped briefly after going through Christchurch? I remember nothing else from this town, I have to admit. It was a long drive. And the scenery was wonderful, from start to finish! It's a pity it's so far away. I wouldn't mind going back!



Friday, September 15, 2017

Buildings Intro Lesson 2

Aren't windows wonderful?
So interesting. Full of complexity.

The three windows on this page are from houses on the Beara Peninsula. Two are really colourful, from the village of Eyeries, the perfect picture postcard town for tourists. I wonder do the locals get a Bord Fáilte grant to paint their houses every year?

These houses would make lovely little watercolours, wouldn't they? Well, you can't answer that question because I haven't posted a picture of the full house, of course. It was a rhetorical question. Ah. Never mind.

The third one was a house advertised for holiday rental near Lauragh I think.

Thursday, September 14, 2017

Buildings Intro Lesson 1

Buildings are a relatively new interest of mine. You've heard me wax lyrical about skies, seas, clouds, trees, but buildings, not so much. Despite nearly two years of urban sketching. Well, I guess I wasn't ready to really get into it. But now, with a plenty of practise in my Moleskine sketchbook, I feel confident enough to tackle this subject. And more importantly, ready to learn from scratch!
If in doubt, find an online course! So, I have started SketchingNowBuildings.

Here is my work from the Intro Lesson 1, all about checking angles and relationships. As you can see, even after checking the main angles, I still didn't get it quite right. But it does look like a house that is structurally sound at least, unlike the first attempt!
I think I will paint this house some day - it's beside the road in the Glenbeg valley on the Beara Peninsula, a lonely place on a wet morning. 



Wednesday, September 13, 2017

Thumbnails

OK - still not feeling like painting a proper painting. But rather than wasting time, I picked up my paintbrush, found some photos in my Art Ideas folder and set to work in my painting sketchbook.

How many sketchbooks do I need? How many do I have?
I have about a dozen on the go, although I haven't touched about half of those in a few weeks or months. I have one for urban sketching, I have one for painting ideas, I have one for online courses, I have one for my handbag, I have one for travelling, I have one for sketching people, I have one with good quality watercolour paper, I have one with really cheap paper. Well, that's about all I can think of right now.

It's too much really - I have this idea that if I was a proper artist, I would only ever have one on the go at any one time, and it would contain all the sketches and ideas of the moment. And I could track my progress chronologically.

But that's not how it works for me. I need to compartmentalise. For some reason that I can't explain. And anyways, does it really matter?

So, a flower and a landscape. I've tried to jazz up the colours. Maybe I needed to cheer myself up? To forget the cold wind and the frequent showers?

My only conclusion from this little exercise is that I like red-orange and cobalt turquoise together.

Will I now move to proper watercolour paper? Or continue dilly-dallying while I wait for inspiration? I can't say. But it's still better than watching the telly or browsing on the computer.


Tuesday, September 12, 2017

While waiting for the dentist

I'm still not very inspired these days - maybe it's from looking at blogs of sketchers in warmer climes, who don't have to bring a waterproof cape and an umbrella every time they go out. But then again, they probably have to pack a sun hat and SPF cream, and lots of water to drink, and mosquito repellent! I don't have those problems. It's just that I'm finding it hard to motivate myself to get out and sketch. If I moan enough about it, surely it will go away?

Still, I do carry a little sketchbook with me and dentist appointments are the ideal situation - even when everything is running smoothly, there is always some wait time. Are all dentists like that? Or is it just in Ireland?

OK, the view from the waiting room isn't brilliant. But there is a view. So at least I didn't have to sketch the other patients!



Monday, September 11, 2017

Feet on yoga mat

To me, this is really important: A yoga mat is a sacred space and you should never walk over someone else's yoga mat. Or put your feet on it. It's a question of respecting someone's space. Plus it's a hygiene issue. But because a yoga class is a non-confrontational space, I could say nothing when my (yoga) neighbour planted a foot on my mat. Inside, I was fuming! Actually, I was grossed out! I got over it. But still. Where do you stand on this question?

Saturday, September 09, 2017

My desk

If I can think of nothing to draw, my desk is usually a good candidate. It's full of junk, whose configuration changes constantly. The main challenge for me is the bottle tops - ellipses continue to resist me.
Do you see the little guy sitting on the box? He is a Body Kun, or probably a cheap imitation. Well it was cheap, and it took forever to make its way here from China. And it didn't have all the accessories (guns and swords and the like). I would have liked a Body Chan instead. But the website wasn't very clear about what the product was. Well, although he loses an arm every so often, he's pretty good all the same. I must try and draw him better next time.
I'm in a little bit of a "I have nothing to draw/paint" rut. I'm determined to work my way through it. But the lure of Netflix and Facebook is strong.

Friday, September 08, 2017

Hugh Lane Gallery


The Hugh Lane Gallery is an old favourite of mine. I still remember the time when our car got clamped just outside, as we lost track of time on a visit there many years ago with one of our nieces. I love the rooms indoors and the ceilings, and those stairs. And the Francis Bacon Studio of course. But last Sunday was dry, for the most part, so I sat myself across the road and decided to tackle that façade!

I couldn't sit right across, as a big tree was blocking my view of the top floor and roof. So I positioned myself slightly to the right. But I wanted to do a straight-on view. Just in case you were wondering why the chimney on the left is at a funny angle. I just got a bit confused between what I was actually seeing (the chimneys are pretty accurate - the building isn't) and what I wanted to represent.

I got confused with the middle floor too - windows way way too short.

But it does look like the Hugh Lane.

And it's a good end to this sketchbook, my own personal favourite so far. It's seen me through Inis Oírr, and Bloomsday, sunny days, a wet month of August, ... It's become like an old pair of shoes. It will be strange to leave it behind when I go on urban sketching outings. Well, maybe I'll take it with me next Sunday. I just love showing it off. And it is a bit scary to start a new book. What if my first sketch is awful? I'm hesitating between another Moleskine like this one (A4, watercolour paper) and a smaller book, with thicker watercolour paper. I love this format - it fits whole buildings and two hours of intense sketching. But maybe I should practise smaller details?



PS: I'm really curious about the upcoming exhibition - The Ocean after Nature!

Thursday, September 07, 2017

Self Portrait with hair colour

There's nothing more boring than waiting for hair colour to take. 25 to 40 minutes with nothing to do.

That's why I should always have my sketchbook with me. Not that it's my best look, but it is an excellent way to pass the time, and a good exercise in observation too. Better than reading Hello Magazine. I believe Kate is pregnant again, by the way!

I wonder do other women feel the same as I do about going to the hairdressers? Or do they actually enjoy it? All that time spent looking at one's face, under unflattering light.

At least I'm lucky - I actually enjoy chatting to my hairdresser - he's into art, and photography, and cinema. And he always asks me how my dog is doing!

And he cuts my hair beautifully. I've followed him from Goatstown to Terenure to Stillorgan to Monkstown. I like Monkstown - if I'm early for my appointment, I can sketch there - two beautiful churches, and lots of interesting houses.

But one day, he will leave this country, and the search for the perfect hairdresser will start again.

Wednesday, September 06, 2017

Landscape abstracts

Trying little landscape abstracts, working wet in wet with just three colours on 15x10cm and 15x15cm paper (give or take).
I should do more of these. They take no time at all and they are a great way to explore pigments. I must also try a wet on dry approach, layering transparent glazes.



Tuesday, September 05, 2017

Lough Eske

Lough Eske is a beautiful lake in Donegal.

My sketch doesn't do it justice.


Neither do photos.

As we were going to a wedding, I knew I wouldn't get much chance to sketch. (It was a great wedding, by the way - I got to wear a nice dress and I danced like I was 20 again, except my hips are still sore a week later!). But I brought my gear anyway, as we were away for a few days, and I thought I would have time on the Sunday. We were on the move a lot, the light wasn't right, I wasn't in the humour. I don't know! Well, it wasn't meant to be. I find it hard to focus on my painting/sketching if I'm in the company of a non-sketcher. Maybe it's just me. I wasn't put under pressure to work quickly, but I just couldn't get into the frame of mind needed to paint. I'll keep trying though.

Monday, September 04, 2017

Palm Oil in Côte d'Or Noir Truffé - We're doomed

Palm oil seems to be in everything these days. In the last hour (this blog post was written a few weeks ago - I am NOT travelling again!), I've seen it listed in every single brand of Belgian chocolate at Brussels airport, and in my ham and cheese croissant on the Ryanair flight. I haven't looked at the list of ingredients in the face cream I bought in the duty free, but I'm worried.

How can I find chocolate without palm oil? I love chocolate, but instead of buying my usual supply, I only bought one bar. And this was my last Ryanair ham and cheese croissant. Sigh! They were delicious.

I just refuse to contribute further to the cutting and burning of rain forests, which lead to the death of whole species, including the orangutans.

And I'm not sure I can believe the "sustainable palm oil" label. So I'll do my best to eliminate anything that says palm oil in the ingredients. Not so easy, as I've just discovered an article listing all the names used on labels to name palm oil!

And I haven't even looked at the label on my shampoo and conditioner! But I did check some yummy soaps I bought last Christmas, and they won't be on my list again next year!

How much impact will my actions have on the world? Probably none if I'm the only one who cares. But I do hope things will change. Otherwise, it will be a bleak world for the next generation. Not that they seem to care much themselves. We're doomed!

Read more here!

Thursday, August 31, 2017

Circe Pavillion

Another wet August Sunday afternoon. But we had shelter. Under the Circe Pavillion. In Liberty Park. Or Eileen McLoughlin Park. I don't know why it has two names. Maybe it's trying to re-invent itself? Unfortunately, while the druggies are still using it, it's going to be a struggle for families and children to reclaim the area.
As always, though, with Dublin Sketchers, there was strength in numbers, and we managed to make the space our own for a couple of hours. We were joined by Jay, of the Hardwicke Street Community Garden, and Mark, who was just taking shelter from the rain, but happily started sketching and even more happily got his portrait done by one of our talented sketchers, Des.
So, despite the pouring rain and the cold, it was a good afternoon.
And then we met up in the Parlor Café in the North Star Hotel, a cosy, modern and friendly space, with not just one, but two slices of banana bread! So much for portion control!

Many thanks to the Treeline Project for making the space available to us, and to Mary for bringing chairs!

Was very happy with this sketch - despite the fact that the proportions of the building in the background are completely wrong. Believe me, completely and utterly wrong! My solution when that happens is to splash loads of yummy colours. Always works!

A few of the trees in the park.

Jason's sketch, which he left with me. Pretty good sense of volume and proportions for someone who hasn't drawn since 6th Class!



Thursday, August 24, 2017

End of Summer


Not quite as ambitious as a big Kerry landscape. But I picked up this bunch of berries in UCD last weekend - I think they might be from a linden tree. But my knowledge of trees is limited. It's one of those things. Fish and trees actually - and don't ask me for a translation, into French or English. It's just one of those things that refuse to stick to my brain cells. I wonder why? And yet, I love trees. And fish. I can name exotic coral reef fish, interestingly enough.

I have this small block of Fabriano watercolour paper (about 20x15cm) and it's good for experimenting. Definitely should do more of that. More experimenting. More painting. More drawing. I think about it a lot, but if I look back at any given day, I don't actually do that much.
Where does the time go?

Wednesday, August 23, 2017

Healy Pass


Took so many photos. I don't know where to start. I painted this at the kitchen table. A convivial and inspiring place. As was our visit to the Mill Cove Gallery in Castletownbere. In particular the works of Kasper Zier (of unreachable beauty for my level of skill) and Monica Groves  (the photos in the link don't do the pieces justice).

So I tried to catch something of the landscape we had driven through the previous day. The Healy Pass stood out in terms of its scale and sheer power.

I still don't know what those rocks are. Time to do a geology search!

Tuesday, August 22, 2017

Roses


A productive few days off down in Kerry. Painting before breakfast. A good way to start the day. Even if the end result is more of a any other name!

Monday, August 21, 2017

Sunflower field

I got fed up with my sunflowers.
So what do I do?
I start painting a sunflower field!
At least, I've got only one version of this one. But I might need more to get to what I have in my head. The main thing that bothers me here is the blob on the left - it was supposed to be some bushes and trees, but somehow it lost its shape along the way and looks like some alien monster from Star Trek (the original series - special effects got a little more sophisticated by The Next Generation).

I'm trying to explore new ideas and textures that take me away from a strict representation of what my camera captured. And I hope the yellow sky conveys the heat of the day.

Although it wasn't that hot - just about 30 Celsius. Which to me is normal Summer temperature in the South of France. Quite pleasant actually! And the joy of sitting out on the terrace for breakfast and dinner. A rare treat when you live in Ireland. I think I'll need more sunshine and warm weather next year. But I'll have to watch my carbon footprint, or we'll end with those temperatures in Ireland, which really wouldn't be right!

Back to the blob - how would it look if I cropped the painting? That's one of the beauties of watercolour paper - something you can't do with a stretched canvas!

Better already.

Sunday, August 20, 2017

Airports and stations

One big advantage of travelling alone is that I can get to the airport when it suits me, allowing plenty of time for shopping and sketching.
On this occasion, it did mean getting up at 3am. With a MyTaxi booked for 4am, and a FastTrack through security (the best thing ever), I was at the airport with two hours to spare. Travelling with hand-luggage only, I couldn't do any shopping, so that left plenty of time for sketching. I got myself a green tea and a gluten-free muffin of some sort (which tasted awful, by the way, but I didn't want to queue for the more appealing food options), then I sat down at a counter overlooking the bar. Nobody noticed me - people have their phones and they are pre-occupied, plus they're not quite awake at that time yet.
To really finish that sketch, I probably would have needed an extra half hour or even an hour. But I had a plane to catch, so that's all I've got!



And then, there was a train to take. Good open spaces, train stations. Unfortunately, I had even less time, and this view of Brussels North never got beyond this stage.

Still, not a bad start to the day!