More experimentation while sitting in the backgarden on that sunny afternoon. We don't have a fancy garden, so apart from the weeds, the most interesting thing is the negative shape of the side of our house versus the neighbour's house. And the light and shade of course. Can't waste a sunny day and not capture the shadows!
Saturday, July 31, 2021
Friday, July 30, 2021
Garlic
It's raining out of the heavens right now. To the point where it's hard to remember that just a week ago, we had a heat wave! It was glorious!
I sat in the back garden on a lazy Saturday afternoon, and sketched our garlic. Well, I had nothing to do with the growing or the cooking, so it's Brendan's garlic really.
I just played with paints, a pencil to drag some of the juicy paint around. And also did a version with watersoluble graphite. It was so relaxing!
Forestry
This time, I moved straight from a postcard-sized thumbnail to half sheet. And I wasn't focused enough. I definitely need to do more composition exercises and work on my calligraphic strokes, but I'm still happy I took that big step in one jump. The more I do this, the better it will get!
Thursday, July 29, 2021
The Bridges of Dublin City - part 2
This is another one where the sketches appear in the opposite order of actually drawing them. I'm going to have to go back to Google Maps to figure out which bridge is which!
This one doesn't look like much, but I feel it captured the moment quite well, when a mum, child and dad went by on their canoe, in perfect harmony (well, maybe not quite as synchronised as I made it out to be!)
Wednesday, July 28, 2021
MHMP 1 and 2
Some of these colours I use a lot, some I don't. Time to put them to the test and see how they work together.
The other side
What do I do when I'm not happy with a painting? I use the other side to practise! Trees on half sheet watercolour paper. Definitely like these better!
Will I have another go? Probably, but not just yet!
Tuesday, July 27, 2021
Monkstown in the rain
It's hard to believe this was only a couple of weeks ago. Ireland is currently experiencing a heat wave. And that day in Monkstown felt like winter - a steady drizzle that turned to heavy rain. I was well wrapped up, but I should have worm my rain trousers. I got so cold I had to go to a café and have a hot brownie and a hot chocolate!! But since our restaurants hadn't reopened indoors yet, we were sitting under a sun umbrella on the footpath. And the rain was going horizontal. The things we do for urban sketching!
I had managed to find shelter against the big church in the center of the village. Those big recessed doors proved really useful. Plus I was holding my umbrella. Some of us sat in their cars, some under big trees, some just got wet.
But Monkstown is such a lovely village that I didn't want to miss it. I wasn't alone. Despite the weather, a good 15 of us showed up! A bit of rain and a gale can't stop an Irish urban sketcher!
This one is a case of "should have left it alone". I added some watercolour to it today and it's not half as interesting!
Black mix
An interesting mix I came across recently, in a livestream replay from Liz Steel's Edges course. Indanthrone blue and Van Dyck Brown. Love it! Not sure how I'll use it yet, though!
Monday, July 26, 2021
Feeling Alive
I'm sure it's not just me. You might think when you see all my paintings and experiments and sketches that I'm bounding with energy and dancing with a brush every day. Well, I'm not. While things are slowly returning to normal and there are highlights in my weeks that bring me great joy, there's also an undertone of fatigue and anxiety.
So I've come across this book called The Art of Aliveness, a creative return to what matters most (Thank you Áine Divine!) and it's inspiring me already to go back to play with art. Feeling more alive already! (Heavily inspired by Sketching Playlab of course!!)
Sunday, July 25, 2021
Te Anau peaceful evening
Why do I stiffen when I move up to Half Sheet?
I think that asking the question leads me straight to the answer - because it feels like a "proper painting", because I'm using up precious material, because in my mind, I think of it on a wall. So the bottom line is that I lose the "play" element that's so important to me. Plus I'm just copying the previous, smaller, version where I solved all the problems on the fly, and there's an energy that comes with that - the living dangerously, taking risks.
So, while I'm not totally unhappy with this version of Te Anau evening, it feels stiffer, less playful. It's like those trees have become big menacing things rather than just a few light bold strokes of paint!
So what do I do? I paint more of course. I've only done 4 half sheets since the end of January. Compared to how many quarter sheets, thumbnails and urban sketches? There's my answer!
Friday, July 16, 2021
The bridges of Dublin City
A few of us in Dublin Sketchers are doing extra curricular activities, trying to make up for lost time when we couldn't meet - we have started to sketch the bridges of Dublin City. Apparently there are 18 bridges between Heuston Station and the sea. So Pat had this great idea to do a sketchwalk, stopping at each bridge for 20-30 minutes maximum. We knew we wouldn't be able to do them all in one day, and we weren't sure how it would go, but our small group managed to stay more or less together from bridge to bridge, sketching with an extra energy, knowing that we wouldn't have time enough to do a detailed sketch.
Isoilde had done her research and she was able to give us the name of every bridge and a little bit about their history, which added an extra dimension to the whole experience.
I'm showing you the sketches in the wrong order here, as we started at Heuston Station, but I don't feel like sorting the images again, so bear with me.
This was my last sketch of the day. I think the bridge is called Father Mathew Bridge, but what interested me was the view of the big church on Thomas Street beside the NCAD, and the road that sweeps down behind it to the Liffey.
Next time, I'll sketch from this side! |
The Bridge Crew |
The steps |