This time, I wanted to focus on painting the cars without drawing first, without transferring a drawing. So, I reduced my pigments to the bare minimum, for me anyway - Moonglow, Hansa Yellow Medium, Monte Amiata Natural Sienna. It wasn't a fast process, but I worked in negative space for the cars, and I'm happy with how they turned out, even if the first one looks completely different from the previous version.
I used gouache to add extra highlights in the car lights, and then when I added the streetlights, I decided to create a foggy effect.
Will I do one more?
No comments:
Post a Comment