I sometimes use pastels over failed watercolours. This is a prime example. Having spent most of the weekend labouring on this watercolour, it just didn't work out. But I didn't have the heart to throw it out.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii-j5hOeYyBdXWrjb8towbcZX8EzBYRtFtdW3zXfMtkAYlUMVIUUxsRszEMwUffOZ5sdQfZg7Ubd8eQ-B6WMdt7ItkY4ALDixaW3Z9EQIrk0L42K_R8k8pdG64RbD_3MIDJKf4dQ/s400/P1030796.JPG)
My original plan was to create an abstract rendition of the Corbières landscape which I had sketched earlier in the week. It's a small little sketch, about 10 cm wide. I knew it would be hard to reproduce it's freshness in a larger format.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2342dkhjjimy7reQL7QmKkgTNbnh58e0JfROovSj3_kr7vj9qJnXJuIY_eRhWNM9WBwio7cZ22a3jGhWtfnqSRN-rjUChea1B8fK53mY_JcMuqIl4j0DivxI7GQY7pQVgIyBkAw/s320/P1030798.JPG)
Instead of using ink for the dark shapes, I used indigo and burnt sienna watercolours. And I was happy enough with how it looked. But I hadn't thought out how I would incorporate the colours above and below. Rule number 1 of watercolours is to start with the lights and finish with the darks.
I didn't take any photos of the resulting watercolour. It wasn't pretty is all you need to know.
So out came the stanley knife. And the box of pastels. Much more interesting.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_IGGKBwCCsu_KDD1JRfPD9cgLpBqukqkMLMkiRMGD11pOHaewILVXGXWvFc9XUXIZSbnkQcwe6ulKYfDrgVdlIyzI1O3hAk2V1eQGEgKZIRFGmPqZSQgaWNC9rpdlqoN9uf1Q2g/s400/P1030799.JPG)
And a few close-ups. I might use these as inspiration for a bigger painting
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