Working on cheap cartridge paper (I have a lot of it under my desk) is a good way to let go of expectation, even when working in watercolours and lots of mark-making tools (pastels, soft and oil, graphite and a weird white gouache amongst other things). It doesn't look like much, but that will make it easier to cut it up! I think I went a bit crazy with the soft pastels, but once you start with them, it's hard to stop!






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